Following her departure from The Pipettes in 2008, Rose Elinor Dougall has quietly been recasting herself as a psychedelic-folk chanteuse par-excel lance. A clutch of limited singles have demonstrated a breadth of inspiration, from the timeless, melancholy of Sandy Denny, through the leftfield melodicism of Smiths-era Morrissey to the primitive-futurism of Broadcast. Rose spent most of 2008 isolated in her bedroom with just a casio-tone for company writing a bunch of songs that she hoped